Tuesday, September 21, 2010

Bad ads, and some good ones

Out of the previous blogposts there are a lot of genius works, but of course some bad ones too. I want to take a deeper look at them here and find out why they're so seriuosly good (horrible).

Good ad -


Woolworths, Maria and Stavros

The reason why I like this ad so much is mainly because it is so comprehensive yet creative. Strategy wise, its use of both rational and emotional appeals not only put forward the freshness of Woolworths' products but also generated a generally good image of the brand. What's even cooler is the fact that the ad itself was in another ethnic language (Greek), lifting up that warm and fussy grass root friendliness. As for the audience who couldn't understand the language, the use of an old couple still managed to relate to mostly everyone throughout its association with family, grandparents, and everyday life.

Creative wise, it is a pleasant surprise to see Woolsworths quietly sways itself away from the cliche price-oriented promotions. Instead of telling us what is on sale and trying too hard to persuade us to move our ass to the supermarket, it is actually working on something long-term and more enduring, that is the brand image and personality of the retailer. Another thing to be noted is the humorous and down-to-earth tone used in the ad (especially if you understand Greek). By watching the ad, it makes the consumers immediatly relate themselves, or people around them, to Woolworths, and furthermore develope an intimate and friendly connection with the brand.

Bad ad -

Big House Communications, We Get Them

One word: Creepy. Especially when the ad is coming from a creative communications company, it makes us wonder, if this is how they promote themselves, how are they going to help our company... I mean, we don't want to "trap" our clients like ants or spiders!

Anyway, while the creativity of the campaign is still acknowledged, this ad seems to take the wrong strategy as they did not throughly examine the appropriateness of the ad content. The reason lies in although this is a B2B ad, essentially the heart of marketing and advertising is still based on a people relationship. In this case, target audience has the tendency to feel pressurised and intimidated, because they will relate themselves to the tiny customers that are "trapped" in the ad by the agency.

Moreover, as advertising is all about its effectiveness as a part of the company's marketing activities, I assessed these 2 ads using a research conducted by Jagdish N. Sheth commenting on some theoratical considerations of evaluating advertising effectiveness. In his article, 3 aspects are especally mentioned, namely the strength of impression an ad makes in a customer's mind, the influence an ad plays in consumer's buyer decision making process, and an ad's role in increasing a buyer's consumption of the product / service advertised.

Based on the three considerations, while it is certain that the creativity of these two ads above gave both away in the first column that evaluates impression, we can however see Big House Communications' campaigns appearing to be weaker while it is presented in the audience's decision making process due to the lack of likelihood in its ad association.

However, only thing we can be sure is: while Maria and Stavros may be forgotten soon after woolworths' new commercial comes out, the bad ad is gonna long live in our heart... At least it's made an impression, no?

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Credits:

Big House Communications "We Get Them"
Advertising Agency: Big House Communications, Vancouver, Canada
Associate Creative Director: Michael Bryden
Art Directors: Mike Fiorentino, Michael Bryden
Copywriter: Chris Kostyal
Photographer: Peter Holst
Published: August 2007

References:

Journal of Marketing - A model for predictive measurements of advertising effectiveness


JSTOR - Measurement of Advertising Effectiveness: Some Theoretical Considerations
Jagdish N. ShethJournal of Advertising, Vol. 3, No. 1 (1974), pp. 6-11


Jeff Vincent - Trap Your Little Customers
from his blog How to not get a job in advertising


J.

ads that travel the world - Global Advertising














Credits:
Absolut Vodka ad campaign by TBWA
Best Job In the World campaign by CumminsNitro

details (Best Job In The World)

Type of Entry: Integrated Campaigns
Category: Best Integrated Campaign Led by Direct Marketing
Title: BEST JOB IN THE WORLD
Advertiser/Client: TOURISM QUEENSLAND
Product/Service: ISLANDS OF THE GREAT BARRIER REEF
Entrant Company: CUMMINSNITRO Brisbane, AUSTRALIA
DM/Advertising Agency: CUMMINSNITRO Brisbane, AUSTRALIA
Creative Credits
Name Company Position
Merrin Mccormick CumminsNitro Copywriter
Ralph Barnett CumminsNitro Art Director
Cristian Staal CumminsNitro Art Director
Darren Mccoll CumminsNitro National Strategy/Planning Director
Anne-Maree Wilson CumminsNitro Account Director
Edwina Gilmour CumminsNitro Account Director
Nancy Hartley CumminsNitro Creative Director
James Burchill CumminsNitro Creative Director
Jason Kibsgaard CumminsNitro Senior Digital Producer
Adam Ford CumminsNitro Account Director
Matt Farrugia CumminsNitro Senior Digital Producer
Horia Traian CumminsNitro Head Of Technology
Glen Peterson CumminsNitro Senior Developers
Anton Ward CumminsNitro Senior Developers

Not-For-Profit advertising: ads that play games with our heart.









myths in B2B advertising

What do you think about B2B advertising? I asked, when most people gave me a look on their face that says "boring."

Well, if we take a look at a traditional B2B advertisement, we won't be surprised to find a few apparent trademarks, i.e. lots of copy points, lots of direct information, and lots of professional jargons, as opposed to the emotion-driven, image-driven B2C ads. These little things in B2B ads seemed to be presented especailly to the trade market, however


(cont.)






the old-time favorite still works! Tipp-Ex's No. 1 viral campaign uses the "write your own adventure" trick

Honestly, this campaign is awesome. I was on it for the whole night and it hasn't run out of things to play with!



Interesting enough, it's said that the Tipp-Ex ad is actually a rip off of this early Burger King viral campaign called Subservient Chicken. Go check it out and judge by yourself.

Burger King Subservien Chicken



Seriously, the Tipp-Ex one is so much more attractive.... no?
After all, bear is still cuter than a human chicken.
tell me what you think.

J.

Direct Response Advertising.... we're too cool for that



First thing that hit me whenever someone talks about a direct response ad was always the annoying telemarketing phone calls, direct mails, clutter advertisements in the papers, and the old-school direct marketing TV programs.

With no positive thought assocated with it, I was thinking whether people in this generation like us... are finally getting over one of the oldest types of advertising, and moving on to something more exciting - like iAd (yay!)

In fact, a forecast from DMA in 2002 also suggested that the growth of direct response advertising spending has hardly been as strong as predicted.

Initial predictions by the DMA suggested marketers would spend $206 billion on direct marketing this year, but the figure is now expected to be closer to $193 billion, up only 3.4% from 2001 and almost 7% below the initial estimate.

However, it seems like the business is not quite dying yet, but the dynamic of it did change a little bit.

Direct Response ads nowadays appear to be created in a even more appealing, tech-savvy, and humourous way. With the invention of the great World Wide Web, now a direct response ad can be considered successful as long as it drives traffics to the desired website, instead of being restricted of its value depending on sealing the deal.



This advertisement for Cash4Gold is a successful example of the contemporary direct response ad.

With its objective solely being driving people to the website, it did create a huge buzz as well as a large amount of website traffics during the time the ad is shown which equals to successful outcome (Over 1 million Internet views! click here for their media release). In fact, this 2009 ad is the first direct response ad during the Super Bowl TV spot, its success lies in the eye-catchy website which shows at the very start and the end of the ad, and the strong impression it leaves for the audience.

Moreover, just like a lot of other advertising categories, the target market of most direct response advertisements nowadays have also moved towards a more specific niche. In other words, advertisers would have more chances and resources to allocate the spending and make the ad more sophisticated. With less money spent, they still manage to achieve a higher success rate.



This print ad is a classic example of the statement stated above. The objective of the ad is to promote attendance at the Client/Server Conference, a seminar designed to teach new high-tech computer methodology. While the advertisement itself is done in a humorous and creative way, we can see it is also targetting not at a large market, but a certain tech-savvy crowd.

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Credits:

Cash4Gold "One Up"

Brand: Cash4Gold
Agency: Euro RSCG Edge
A collaborative creative team created the commercial with Cash4Gold. This team was led by Euro RSCG Edge, and included sister HAVAS Agency Arnold Worldwide and veteran Super Bowl commercial director Bryan Buckley.

Client / Server West Conference and Exposition
ad created by Mollica Design

References:

Advertising Age - DMA forecast: Direct spending for '02 falls short of expectations


Journal of Marketing - Direct Response Marketing: A Comparative Review (by Donald R. Self)

Tuesday, September 14, 2010

NO MORE PRICE WARS? the new face of retail advertising




When retail icon Wal-Mart finally had its first new slogan that guarantees us better life after the two decades of Always Low Price, we thought too, maybe it's finally time for the retail advertising world to leverage itself from quantity to quality.

Simon Burrett from Retail Times stated that big retailers have started to recognise the power of emotional stimuli, and the trend is growing to be bigger than ever.

retailers are learning to look beyond the rational realm of lower prices, better stores and better locations as motivational stimulus for customers. Instead, they are accepting that emotional factors can also be powerfully motivating...executives of large retail chains are being forced to accept what boutique stores and chains, non-retail marketers and ad agency professionals have known for a long time – that ‘warm and fuzzy stuff’ can drive a commercial result....

In fact, Target is probably the first big Australian retailer who has taken notice of this growing trend. A series of ads it produced after its repositioned marketing objective "100% happy" have all been targetting at consumer's emotional feeling rather than rational thought .

Here's one of my favorite.



the person (ILuvBritneySpears123 ...lol) who posted this ad on YouTube said in the description that this is the only tv ad that she/ he actually like and is HAPPY to watch, proving advertiser's success in achieving its marketing objective.

Besides Wal-Mart and Target, supermarket head Woolworths has also started to emphasise its promotional strategy on the tagline Fresh Food People, after scrapping off the old Safeway name which seemed to restrict the retailer's possibilities of changing.



This is the new 2010 ad. I found it interesting how there is no pricing mentioned in this short TV spot at all, when the major selling point is solely the "freshness" of Woolworths' products, creating a positive vibe for the perspective consumers.

Adage Encyclopedia categorises the marketing message of retail advertising into promotional and institutional. While promtional message carries a specific product and a message (such as price off) alongside with it, institutional message, vice versa, focuses on the image of the retailer itself. Instead of using only a single category, advertisers nowadays usually integrate both sides of the messages, despite an inclination towards institutional.

So, no more price wars? or is it just a temporary peace?
Well as a devoted bargain shopper, let's just hope that it is not so over yet.... :)

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Credits:
Target's "Every Colour You Can Dream Of"

Product: Target Colour 2009

Client: Target

Agency: The Campaign Palace, Melbourne

Production Company: PRODIGY

Director: Dael Oates

Exec Producer: Jonathan Samway

DOP: Peter Eastgate

Animator Designer: Matt Boug

Animators: Lewis Morley & Brian Carlin

Post Production: Animal Logic

Creative Directors: Gerhard Myburgh & Brent Liebenberg

Creative: Jacqui Paterson & Jessica Harold

TV Production: Fiona Gillies

Account Management: Jayne Driver



Woolworths' "Maria and Stavros", I'm still struggling to find the responsible agencyl. Will put it up as soon as it's figured.

References:

Warc - Retail advertising: something special


Retail Times - Emerging trends in retail advertising


Advertising Age - Retail advertising

J.